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Dorkstain

by Dorkstain

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1.
But Hey 04:04
Blue skies over paradise and you turn to me and say ‘Baby, I wish that there could be some other way, but hey.” And I could sit here for the rest of the day and ask myself why you walked away, but hey what difference would it make anyway? The ice may be thin in the middle of the lake but it’s a risk you have to take when you’re fishing. And was it included in your plans to reveal the identity of the other man? Well hey, save your breath anyway ‘cause I saw you two yesterday, you were in his car that man you said was your Pa and I believed you ‘cause he was old enough by far. But there’s things you’ve done that have hurt me more: what about that dress you wore? The one I bought for you that you never wore when I was with you. And hey, it’s true what your friends say it makes you look too fat anyway but I guess he likes you that way. And here at the end of it all you have the gall to turn to me and say to me “There’s plenty more fish in the sea”. What a shame fish don’t appeal to me sexually.
2.
I drove your car to the bay might have been yesterday or the day before. I thought it would be sweet, that things would be complete if you were there in the passenger seat. Forget the valentine thing that is not why I sing for you. I don't want to hang just want to be the yang for your yin. I sat beneath a tree I dreamt you dreamt of me and we were holding hands. I dreamt that just maybe one day it would not be such a trauma to be your man. And if by chance I should fall. It's because I I had no say in it I never even prayed for it. It's because I had no say in it at all. Perhaps when you are nearer things will be a little clearer and I will understand. I haven't lost the plot I guess I just forgot. Spilled a little coffee on the plans.
3.
Mrs Magee 03:22
Every evening at quarter past ten Mrs Magee said “Goodnight” to her only friend. He was clean cut and polite, always winked at her before he said “Goodnight”. She was eighty-three and lonely. He read the late night news on TV. Now as he waits like Theseus father on the shore for the white sail of a key turned in the door the wedding ring of telephone is too far to answer. Mrs Magee assumes he's not home. She was eighty-three and lonely. He read the late night news on TV. Ain't it strange how we change with our age? Sitting here wrinkled and grey like the girl in the nightclub with the hare lip that nobody wants to kiss. Mrs Magee took her unrequited love and moved to the house of the lord up above. If more than just strangers had been in the pews Mrs Magee might have made the late news. She was eighty-three and lonely. He read the late night news on TV. Rocking chair, high chair, whose chair, my chair. Hare lips and loose lips and loose lips they sink ships. Eighty-three and lonely Mrs Magee.
4.
Memory Burns 04:46
He still remembers the town that he grew up in: he flew box kites on the wind. His dreams lay where that great north wind came from though he knew it was a sin. He still remembers the girl he loved at seventeen. Oh she had the sweetest smile. He still remembers the reason that she loved him: because he drove her father wild. But that's all he can recall. He had her picture on his wall. But you can't always land on your feet when you fall head over heels. One sunny Sunday she took him to her father's house. They had hot roast lamb for tea. He said “So son what do you plan to do with the rest of your life?” and he said “Well sir I'm only seventeen.” But that's all he can recall. He had her picture on his wall. But you can't always land on your feet when you fall head over heels. Last place he saw her was the kitchen at her father's house. She was standing by the door. She said “I'm sorry man but this is where this romance ends, I can't see you anymore.” As he walked home a gentle rain began to fall. It hid the tears on his face. Stopped at a Caltex for a jerry can of gasoline and went back and torched the place. But that's all he can recall. He's got her picture on his whitewashed cell wall. But you can't always land on your feet when you fall head over heels.
5.
Thursday 02:58
She knew he was drunk she watched as he plucked baked beans from the flowers on the table cloth. She looked around the room. She surveyed the scene. Noone had ever told her just how beautiful the world could be view through the fog of a Valium dream. She heard him say I love you babe. She'd read in a Readers Digest magazine just that day that what you say is what you mean if you've been in the pub all day and he had been. She touched all the places he'd loved her before. She touched her head she touched her heart and ran for the door. She did not think she could be loved in that way anymore. My insecurities just got the better of me you see that was excuse number three. She heard number four as she ran for the door he said “My mother never cared for me.”
6.
I could watch you sleep all day but I think it's better if I just leave before the coffee's made. It seemed like there was nowhere else to go after a drunkenly mumbled hello. I can't say I love you so I'll just leave you my footprints in the snow. The glass is empty and the bottle's on its way. You've been on my mind for most of the day. No one else has ever made me feel this way. What the hell would I do if you felt the same? I can't say I love you so I'll just leave you my footprints in the snow. And what if the sky should fall as I lay by your side? What if the ships that we taught to go bump in the night suddenly learned to grind? I could watch you sleep all day but I think it's better if I just leave before the coffee's made. It seemed like there was nowhere else to go after a drunkenly mumbled hello. I can't say I love you so I'll just leave you my footprints in the snow. But I'll whistle as I go.
7.
NIMBY 03:23
Your face in a gilt frame frames my guilt and I can feel the knives of a thousand steamy nights with you backed up to the hilt. And this could only be a dream come true: to be wrapped up in a blanket with you. Why must we hide? Please don’t remind me again. Why must you sigh as you turn and say goodbye? I know you’re going back to him again. But I know that I can lie in bed and smile to know that I have had my piece of his pie on the side. And this could only be a dream come true: to be wrapped up in a blanket with you. Why must we hide? Please don’t remind me again. Your old man needs something more than basic fly wire on his back door. Even though it’s only once a week I know you give it twice as good to me
8.
No. 8 02:15
Break off fair Catullus dear and take as gone what is gone. The way ahead should now be clear now you know what’s going on. And I don’t care if what you are is what I’m not. I don’t care if you once were and just forgot. I still don’t mind I’ll probably never care now I’ve lost Lesbia true and fair. Dry your eyes now my sweet friend: there’s plenty more fish in the sea. You’ve go the bait between your legs you can borrow a rod from me. And I don’t care if what you are is what I’m not. I don’t care if you once were and just forgot. I still don’t mind I’ll probably never care now I’ve lost Lesbia true and fair. Seize the day and not the day dream. Seize the moment not the maybe. Live your life not as hers but as your own or spend the rest of it alone. Who’s room will you visit now? Who’s lips will you bite? Who will rub your back in bed and tell you it’s alright?
9.
RSVP 03:11
Did I pull so tight the cords of Auld Lang Syne that they tried to garrotte you as you slept at night? Do the four-for-a-dollar snapshots of love lie fading under you bed like the fantasies still fucking with me head? And is this goodbye forever my old friend? Is this the end of childhood innocence? Did the girl next door grow up and move away? Must have been while I was sleeping yesterday. Was I so blind I could not see the girl next door was no longer interested me? Perhaps it was because I got your new boyfriend so stoned I had to drive the both of you home. And is this goodbye forever my old friend? Is this the end of childhood innocence? Did the girl next door grow up and move away? Must have been while I was sleeping yesterday. I can still hear you say goodbye as you rode you bicycle away. Love may be blind but it can also make you deaf. I think these things as I curse you underneath my breath. So this is goodbye forever my old friend. This is the end of childhood innocence. The girl next door’s all grown up and moved away. She did it while I was sleeping yesterday.
10.
Me 02:30
She said “If you watch the traffic for a while you can sometimes see the drivers smile.” I think that shows a certain amount of style. If I close my eyes I can see what it is that you don't want from me. File under F for futility. It's just that she just makes me feel so wonderfully me. You never did that for me. She just makes me feel so wonderfully free. You can't take that away from me. The traffic rushes past me with a noise like a Beethoven symphony in C and it makes me want to be like a man that drives a train or a woman that flies a plane. Just like anyone that gets me back to her again. It's just that she just makes me feel so wonderfully me. You never did that for me. She just makes me feel so wonderfully free. You can't take that away from me. I would turn my back on my past for a future I know would last. Thank the waiter for this repast I must be going home but I must say it's been nice too: nice to have know you. Shut your eyes and shut your mouth. Come on you know it's true. It's just that she just makes me feel so wonderfully me. You never did that for me. She just makes me feel so wonderfully free. You can't take that away from me.
11.
You're nothing but a social whore you think you belong on the fucking north shore just 'cause my dad owns a big house you want to be my fucking spouse. You want your old man to buy you a fast car baby you belong on the bottom of the harbour. Plant big trees on the day of arbour when even rich greenies think you are a social disaster. Let me tell you now You'll never be a social elixir 'cause your dad drives a cement mixer. Don't you glare at me across your vegetarian thali. My old man owns Redimix Farley. You'd better cancel your trip to Bali darling. Let me tell you now You'll never be a social elixir 'cause your dad drives a cement mixer.
12.
See you in the public library. Tell you that I love you. You tell me that I'm ugly and that's when you say Will you go away? Will you go away? Will you go away go away go away? It's early in the morning and I throw pebbles at your window and you get up in your nighty and say Will you go away? Will you go away? Will you go away go away go away? Though that we had something going. You were just prick teasing. Now when I say “Hello” That's when you say Will you go away? Will you go away? Will you go away go away go away? Bitch.

credits

released September 30, 2017

Vocals and Guitar: Alasdair Cameron
Bass and Backing Vocals: Ben Sherwood
Drums: Leon Hewer

Recorded and engineered by Liam Manolis for Everest Audio (everestaudiomelbourne.com)

Artwork: Gavin Blake

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Dorkstain Darwin, Australia

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